Unstoppable

Whoa.  They don't make a lot of movies like this.  Set your adrenaline meters to 11 and hold on.  Tony Scott is a master director, and although I don't always like his movies, they are always well constructed.  With Unstoppable, Scott assembles a talented cast and tells a good story at high speed.

The plot is simple: due to a combination of bad judgment and bad luck, a long train with dangerous cargo heads toward a densely populated Pennsylvania city with no engineer on board.  Dashing engineer Denzel Washington and barely adequate Chris Pine (the new James T Kirk) try to catch up to the runaway on another train.  Thrills and spills happen, yada yada.

What I liked was that the movie didn't cheap out.  It explained the inner workings of railways enough so that the audience knew the stakes, and fleshed out the characters enough so that we enjoyed their company.  I was happy to overlook the implausibilities because it over-delivered everything else.  For example, in some of the scenes where the train is supposedly going 60-75 mph, it doesn't look like it's going anywhere near that fast, or, for the entire length of the train's run, a railway guy in a red pickup is keeping tabs on it.  They make it look like he's been driving along side the train most of the way rather than on the nearest parallel highway, which is more likely.  Whatever.

Think of Unstoppable as a worthy companion to 1994's Speed.  Unlike 1997's Speed II.

1:33

On a person note, that's number 90 for the year.  10 to go to hit 100.

Catfish

I didn't now anything about Catfish going in other than what I learned by looking at an insert in a NetFlix mailing. The insert had a bunch of rave blurbs (of course, even a bad movie can round up a passel of rave blurbs) and a warning "Don't let anyone tell you what it's about."

In the spirit of the distributor's wish, I will write no review, because to write a review would be to spoil the experience. However, I will say this: Catfish is a documentary. Not a dry, after-the-fact sit-down docu, but a let's turn on the cameras and see what happens documentary.

If the surprising and unexpected is what you like, Catfish is worth seeking out.

1:24

It's Kind of a Funny Story

It's Kind of a Funny Story was sold as a farcical comedy, but it's really a basic drama with a few laughs thrown in. A depressed teenager checks himself into a psych ward, spends a few minutes there and realizes he doesn't belong there. He meets some colorful crazy people (straight out of central casting), becomes the catalyst for breakthroughs for other patients and starts dating Emma Roberts.

It's not bad but it's not really good, either.  Lauren Graham and Jim Gaffigan are wasted as the kid's parents, and a running joke is a guy who quotes a Bob Dylan song claiming it as his own, but it's such an obscure song that it took me almost a minute to find a reference to it on Google. It's Kind of a Funny Story plays like the kind of video you would show to people in a psych ward.

1:35

Never Let Me Go

Never Let Me Go is good science fiction movie in the classic mold. The rules of science fiction are simple: set the story in a time or place where events that are not possible in the real world can happen; then set forth a story, often a parable or allegory. I need to avoid spoilers here, so I'll be circumscript. Never Let Me Go follows three children in a private school in England that are being raised for a specific purpose. The three are joined at the hip, but, inevitably, grow apart as adults.

The setting is pretty sweet - it doesn't exist in the real world for technological reasons but the story is set in the recent past, making the contrast even more stark. Before you know it, the sci fi part of the movie gives way to moral and ethical explorations.

It moves a little slowly, but I liked that. It allowed the human and sci fi parts to soak in. Two guys were loitering at the box office when I bought my ticket. When they heard that I was going to see Never Let You Go, they asked who starred in it. When I said Keira Knightley and Carey Mulligan, their glances were as vacant as if I'd said "an apple and an orange." I hope they didn't follow me in. Utter disappointment would follow.  They'll be first in line for Transformers 3, no doubt.

During a particular emotional scene, the multitasking part of my brain started comparing Never Let You Go to other sci fi movies. I was struck that most of what we call science fiction is really future fiction, and really isn't science fiction at all. It's car chases with cars that fly, fist fights with slow motion and gun fights with ray guns. I'll take thoughtful stories about the human condition any day. And a futuristic shoot 'em up once in a while.

1:36

The Social Network

The Social Network is an engrossing film ostensibly about the first years of Facebook, but it could be about any company. The film moves quickly, cutting between the creation events and depositions in a current-day lawsuit. I take historical dramas with a grain of salt, so I don't care if it was accurate or not, but it was fun. When the credits rolled, I couldn't believe almost two hours had gone by.

I don't know much about Facebook, but if the movie is anywhere near accurate, everyone involved with it, save one guy, are complete douchebags. Sean Fanning, founder of Napster, is presented as a douchebag extraordinaire and I had no idea he was involved with Facebook whatsoever or that he was so sleazy. For the sake of politeness, let's assume there were liberties taken with personalities for dramatic effect.

The Social Network was written by Aaron Sorkin, the master of quick back & forth dialog. His resume includes writing The West Wing, Sports Night and The American President. Perhaps, ultimately, Sorkin's greatest contribution to pop culture is writing the line "You can't handle the truth!" from A Few Good Men but for great lines, I recommend any of the first season episodes of Sports Night (1998-1999), all of which were written by Sorkin.

1:55

The Town

The Town is an amazing movie. It tells the story of a bank robber, making him a sympathetic character, while not omitting any of the nitty-gritty of the world in which he exists. Director Ben Affleck and Movie Star Ben Affleck worked together to craft a story that slowly draws you in until you abruptly realize that the good guys aren't good guys and the bad guys are actually FBI. It's not something you see every day.

I missed Affleck's first directorial effort, Gone Baby Gone, but it received great critical acclaim at the time and it's at number five in my Netflix que at the moment. I hate to make this comparison, but I thought I was watching a Clint Eastwood move at times. Eastwood is known for telling gripping stories at a deliberate pace and not making protagonists too clean nor antagonists too cartoonish. That's exactly what The Town does.

A word of warning, though. Besides the liberal use of F-bombs, The Town is set in Charlestown, Massachusetts and was obviously filmed there. The characters all have seriously thick This Old House accents and I missed a few words here & there as my midwestern ears just couldn't keep up with the speech of the Bay Statahs, doncha know. Fer sure. Charlestown isn't far from where my beloved niece, Belle, is going to grad school. Maybe I should get used to the accent just in case she picks it up while she's out there.

1:58

Countdown to 100

I've seen a lot of movies in the theater in the past couple of decades, let's say it's in the neighborhood of 2000. Seeing movies in the theater is something I – obviously - enjoy. Some of my readers have probably seen that many or even multiples thereof on home video so I'm not bragging, just stating a fact.

I likes my movies.

I also like insignificant trivia. Today, for no good reason, I'm going to combine the two. I've seen 69 movies in the theater so far this year. I want to see 100. No real reason – I just want to.

It's been a while since I've seen 100 movies in the theater in a year. 2006 to be exact, and it was exactly 100 movies. 107 the year before; 113 the year before that. What about years since then? Well, I relocated in 2007 (81), so that killed a lot of movie slots. In 2008 (72), even though I bought my house mid-year and have a built-in excuse to not have seen movies the latter part of the year, it's actually the first half of the year that shows a low count. I think I was so depressed from subletting that hovel on Ford Road that I couldn't muster the energy to see what movies were playing. In 2009 (89), I think it's just that there weren't that many good movies out there.

So I have to watch 31 more by December 31, 2010, to hit 100. Not undoable – there are 103 days left in the year, so I only have to hit one every 3 days or average 2.1 per week to hit the goal. It can be done but consistency is difficult for me. I'll probably have to cram a few in late December.

If the release schedule cooperates, I could try to recreate my Iron Man feat from 2003. I saw thirteen movies in thirteen days between April 19 and May 1, 2003. I would love to try it again sometime, if only there were thirteen movies worth watching in a thirteen day period anymore. In the last seven years, the Big Hit mentality has become even more the modus operandi of the theater owners. More screens showing multiple copies of the same movies. Not very many independent movies or also-rans get shown. In addition, they move the big movies out faster than ever. If you don't see a new movie in its first two weeks, you might miss it. I've missed dozens over the years by dawdling.

So we're off and running - 31 movies to watch by the end of the year. Don't count on me blogging every one of 'em – see the dawdling comment in the previous paragraph – but I'll do what I can.

Easy A

Where to start? With Easy A's crisp dialog, natural pacing, funny story that doesn't play like it was written by a sitcomputer, perfect cast, or Emma Stone? All facets worked and are worthy of note. Let's start with Emma Stone.

The charismatic Emma first hit my radar in a short-run TV series called Drive in 2007. After that, she hit the big screen in Superbad. In Easy A, she carries the movie herself, being in virtually every scene. Her screen presence is amazing, giving us a high school heroine that is hot when needed, common when called for and smart constantly. This is one up & comer that, with good career choices, could be the next Sandra Bullock (no pressure, Emma).

Easy A is a retelling of The Scarlet Letter, using the novel both as inspiration and cautionary tale. A rumor spreads about our heroine, which she encourages at first, which later takes a life of its own. The movie is funny, breezy, never loses perspective and, much to my great joy, never delves into body function humor! Look out for the punchlines inside and outside of the bookstore (Literate humor! Who knew!).

The casting is perfect all around, with supporting roles played by Thomas Haden Church, Lisa Kudrow, Stanley Tucci, Patricia Clarkson, Malcolm McDowell and Amanda Bynes. There was some scenery chewing going on but it was all in good fun. Aly Michalka and her breasts played the self-absorbed best friend. Michalka and her breasts star in my Fall-TV season guilty pleasure Hellcats.

You know how I frequently say negative things about the style of today's comedies? Easy A is the antidote to those comedies.

An Open Letter to IMDB.com

Dear IMDB,

I hate your site's redesign. You've taken an intuitive, easy-to-use and ultra-informative site and made it icky. It's now a cluttered screenhog that is a chore to navigate and hides the most useful content.

Please fix it. I don't care that you return to the original design, but there are thousands of sites that provide entertainment industry hype with no useful information. Now, thanks to you, there's one more.

Sincerely,

Patrick

More From the Newsletter Archives

From 2001 through 2006, I wrote a movie column for the company newsletter, known by several names, notably The Onquirer and The Be...Connected Newsletter. I found many of my reviews archived on the Onvoy LAN, in draft form for some and in final form for others, and I posted 170-some in July, 2009.

Not all my reviews were archived electronically but I have printed copies of every issue of the newsletter (I think). I said last year that when I get enough gumption I'll scan the hard copies and post those reviews. Apparently, today is the day when my gumption hit critical mass because here are the scans.

I've attached a comment for a 2010 perspective to each of the reviews. I think you'll see a couple of patterns emerge, which can be summarized with the words Keira Knightley and marine mammals. If Keira ever appears in a movie with dolphins, I may disappear into a singularity of perfect happiness.

If you have trouble making out the detail in any of the scans that follow, click on the scan and it will zoom out to a larger size.  Enjoy this trip back through time and enjoy the movies.

Whale Rider - August 2003

I posted a version of this review in July 2009, which turned out to be a draft version. This published scan is different in a couple of places.

I rewatched Whale Rider a few weeks ago. It is still a delight to watch. The Kiwi accents are pretty thick, so when you watch it - hint, hint - closed captions might be a good idea.

Bend it Like Beckham - August 2003

You'd think that my two previous mentions of Bend it Like Beckham would've been enough, but I found this third one. I showed great restraint in not mentioning Keira Knightley in any of them - I had a huge age-inappropriate crush on her back then. The DVD is in my stack of evergreens to rewatch sometime in the near future. Just thinking about Bend it Like Beckham makes me smile. Like Whale Rider, the accents are thick, so don't be timid about turning on the captions.

As a side note, BiLB co-star Archie Panjabi won an Emmy for The Good Wife last weekend.

Seabiscuit - August 2003

I haven't given Seabiscuit much thought since seeing it in the theater. When I've wanted a feel-good horse movie in recent years, I turned to Dreamer, with Dakota Fanning and Kurt Russell. I've been seeing commercials lately for a movie about Secretariat, a superhorse that was running when I was in my teens. I suspect that Secretariat will have a lot of the same elements of Seabiscuit, which isn't necessarily bad. I think I'll toss Seabiscuit into my NetFlix que for future revisiting.

Spy Kids 3D - August 2003

I don't remember much about Spy Kids 3, but I remember being wowed in a few places and bored silly in a few more. I like the crack about Whale Rider, which still applies today.

Le Divorce - September 2003

Le Divorce is a almost? Didn't the newsletter have a proofreader? Oh, wait, that would have been me.

I recall mentioning the Kate Hudson thing because she was the face of the commercials and previews. They made it sound like this was a movie about her character, so I had a distinct feeling of being baited and switched. Nonetheless, Le Divorce was one of the last Merchant-Ivory films and the only one set in the modern day, so it was unique and mostly enjoyable (the ending is a little wacky).